Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
In the projects. On the docks. In City Hall. In the schools. And now, in the media. The places and faces change, but the game remains the same. In the fifth — and final — season, the series expands its focus into the media — specifically the role of newspapers in big-city bureaucracy — as it follows a newspaper staff as they struggle to maintain integrity and meet deadlines in the face of budget cuts and staff reductions.