PLOT
Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.